In Os Guardiões da Magia (2025), João Luiz interprets Leo Brouwer with precision and sensitivity, revealing the composer’s inventive power and central place in the history of the modern guitar.

The review of Boca do Tempo (2025) places Sergio Krakowski within the historical and aesthetic transformations of the pandeiro in Brazil, highlighting his trajectory marked by the crossing of languages and the reinvention of the instrument.

This critical listening revisits Tania Maria in Copenhagen (1979), the meeting of the Brazilian pianist from Maranhão with Danish bassist Niels-Henning Ørsted Pedersen — a record whose creative force still feels alive and striking after decades.